This concept, that music is somehow at the heart of, is somehow responsible for all that exists, is the subject of many articles. For example Rubino, reminding me of Douglas Adams' 42, claims that:
Ray Tomes asserts that "The universe, believe it or not, is nothing other than a giant musical instrument with a very special but predictable pattern of harmonically related oscillations which determine the structure of everything from galactic clusters to subatomic particles...The universe consists of a wave which develops harmonics and each of these waves does the same."
The concept is also suggested, though perhaps not explicitly, in the Bible in passages like:
Where were you, Job, when I laid the foundations of the earth? Tell if you have understanding! Who has set its measurements, for you know? Or who has stretched the line on it? On what are its bases sunk, or who cast its cornerstone, when the morning stars sang together and all the sons of God shouted for joy? (Job 38:4-7)
The ability to appreciate and to make music seems to be core in human experience through the ages. The fact that it serves no obvious Darwinian advantage suggests that it might have a higher source. Passages in Ezekiel and Isaiah suggest that Lucifer, otherwise Satan or the devil, was once the angel presiding over music in the heavens so it is hardly surprising that "the devil has all the best tunes".
Thus sets the scene for music (in its broadest sense) as the or at least a language of God, as inextricably entwined in His creation, but perverted by the fallen angel Lucifer.
I intend that this will be the first of a series of posts on the 'Song of Albion' aka "the extraordinary spiritual power of music".
I intend that this will be the first of a series of posts on the 'Song of Albion' aka "the extraordinary spiritual power of music".